Our Comics, Ourselves is officially underway! Join us as we host artists, writers, comics shop owners, and the exhibition’s curators throughout the month of September and early October. All are welcome to join us this evening for:
Curator’s Talk, Opening Reception, and Print Shop Jam
Friday, September 14, 6:00pm
Fenwick Library Main Reading Room / Mason School of Art
Jan Descartes (she/her) and Monica McKelvey Johnson (she/her) will give a curator’s talk on the latest iteration of the traveling exhibition, Our Comics, Ourselves, which originated at Interference Archive in Brooklyn, NY. Focusing on themes of authorship and identity, they will talk about the major works on view, and discuss the process of organizing Our Comics, Ourselves through their method of feminist curating. The presentation will be followed by an open discussion.
Event to be followed by an opening reception and comics and printmaking jam at the Mason School of Art, beginning at 7:30pm.
A sign language interpreter will be present at this event.
This presentation is part of Our Comics, Ourselves: Identity, Expression, and Representation in Comic Art, on display now through October 6 at Fenwick Gallery. Visit http://fenwickgallery.gmu.edu/exhibits/our-comics-ourselves/ for more details.
About the curators: Jan Descartes is a Brooklyn-based artist, educator and curator. She is a graduate of Syracuse University (BA), Carnegie Melon University (MFA) and anticipated graduate of CUNY Graduate Center, with a degree focus on Women, Gender and Sexuality Studies (MLS). She currently co-curates the Our Comics, Ourselves exhibition with Monica McKelvey Johnson, which focuses on identity and representation. Through her artistic, academic and professional life, art and accessibility has been a major theme, culminating in her current thesis regarding trauma and memory in public aesthetic spaces. Jan is co-creator and artist for the webcomic Heartland Comic, where personal memoir and identity politics meet comix. She is currently involved with planning/organizing outreach projects in NYC, where she hopes to facilitate DIY comic-making as an accessible means to explore personal experience and resistance in the everyday. She also lives with a sweet dog and an angry cat.
Monica McKelvey Johnson is a comic artist, writer, and curator living in Brooklyn. She is a graduate of San Francisco State University (BA), and CUNY Hunter College’s Integrated Media Arts Program (MFA). She authored the web comic The Adventures of Dorrit Little, a story about the average student debtor in the United States today, and founded the student debtor support group, EDU Debtors Union. She writes about comics from an intersectional feminist perspective for The Rumpus and The Comics Journal, and has co-organized several exhibitions at Interference Archive—including Our Comics, Ourselves,Take Back the Fight: Resisting Sexual Violence from the Ground Up, and an upcoming exhibition focusing on Deaf culture. She is a practitioner of “feminist curation,” a methodology she continues to develop with Jan Descartes.
Join the University Libraries for our next Mason Author Series event, featuring a discussion with Sam Lebovic, Assistant Professor of History, about his recent book, Free Speech and Unfree News: The Paradox of Press Freedom in America. The reading and discussion will take place at 3pm on Thursday, October 5 in the Fenwick Library’s Main Reading Room (Room 2001).
About Free Speech and Unfree News: Does America have a free press? Many who answer yes appeal to First Amendment protections that shield the press from government censorship. But in this comprehensive history of American press freedom as it has existed in theory, law, and practice, Sam Lebovic shows that, on its own, the right of free speech has been insufficient to guarantee a free press.
Lebovic recovers a vision of press freedom, prevalent in the mid-twentieth century, based on the idea of unfettered public access to accurate information. This “right to the news” responded to persistent worries about the quality and diversity of the information circulating in the nation’s news. Yet as the meaning of press freedom was contested in various arenas—Supreme Court cases on government censorship, efforts to regulate the corporate newspaper industry, the drafting of state secrecy and freedom of information laws, the unionization of journalists, and the rise of the New Journalism—Americans chose to define freedom of the press as nothing more than the right to publish without government censorship. The idea of a public right to all the news and information was abandoned, and is today largely forgotten.
Free Speech and Unfree News compels us to reexamine assumptions about what freedom of the press means in a democratic society—and helps us make better sense of the crises that beset the press in an age of aggressive corporate consolidation in media industries, an increasingly secretive national security state, and the daily newspaper’s continued decline.
About the Author: Sam Lebovic is Assistant Professor of History at George Mason University, where he directs the PhD program in History and serves as associate editor of the Journal of Social History. He is the author of Free Speech and Unfree News: The Paradox of Press Freedom in America (Harvard, 2016), which was awarded the 2017 Ellis W. Hawley Prize by the Organization of American Historians, and was a finalist for the 2016 Frank Luther Mott award. His research focuses on the history of American politics, culture, and media, and has been supported by fellowships from the American Society for Legal History, the NYU Center for the Cold War and the US, the Center for Cultural Analysis at Rutgers, the Truman Library Institute, and the Woodrow Wilson National Fellowship Foundation. Lebovic’s essays and articles have been published in Diplomatic History, the Journal of Social History, the Journal of American Studies, the Columbia Journalism Review, the Los Angeles Review of Books, the Boston Globe, Politico, and other journals and edited volumes. He teaches courses on a wide range of subjects in modern American and global history, and is currently researching the mid-century history of cultural globalization.
About the Mason Author Series: The University Libraries’ Mason Author Series features Mason faculty and alumni authors throughout the year, and is generously sponsored by the University Bookstore. For more information about the Mason Author Series, please contact John Warren, Head, Mason Publishing, firstname.lastname@example.org, or Jessica Clark, Development & Communications Officer, email@example.com.
University Records Center Update: The University Records Center, which was closed in July and August for renovations, has re-opened. Have records to store or dispose? Check out the Records Management website for more information or RSVP for one of our upcoming training workshops.
University Records Management Training: Questions about managing your physical and electronic records? Join University Records Management for a 2-hour training session, bring your questions, and pick up boxes for records storage. Training sessions will be hosted from 10am to 12pm in the Special Collections Research Seminar Room (Fenwick Library 2400) on September 15, October 20, November 17, and December 15. Please RSVP at firstname.lastname@example.org as seating is limited.
About University Records Management: University Records Management assists with the retention and disposal of non-permanent university records regardless of format. It minimizes the space, equipment, and personnel required to store and maintain records. Records Management assists with the timely disposal of records in full compliance with university policy, state retention requirements, and federal law. For more information, see this blog post on “The Difference Between Archiving and Records Management.”